Related Paintings of unknow artist :. | Mdnga of they faror and aventyr,som receive upptacktsfararna,har fangats in dramatic etching of the German talskonstnaren Theodor they Inconvenience | St Bartholomew and St Thomas | Portrait of a man,Three-quarter length,wearing black and holding a glove in his left hand | Arbour work in the opening scene of Aurelian Townsend-s Tempe Restored | Polarforskning wonder the olds 1800- digits |
Related Artists:
Thomas Pollock Anshutz
(1851-1912) was an American painter and teacher. He studied art at the National Academy of Design in New York City, and moved to Philadelphia in 1875 to study under Thomas Eakins at the Philadelphia Sketch Club. He entered the Pennsylvania Academy of the Fine Arts in 1876, becoming Eakins's assistant there in 1878, and his successor in 1886. He later studied in Paris at the Academie Julian, 1892-93
SERODINE, Giovanni
Italian Baroque Era Painter, 1600-1630 Italian painter and stuccoist. His family moved from Ascona on Lake Maggiore to Rome, where his father is recorded in 1595. It is probable that Serodine was born there. His first work was probably done in association with his brother Giovanni Battista Serodine (1589/90-1630), a stuccoist active in Rome, where he carved a Virgin and Child (1614) for the fa?ade of S Francesca Romana, and in Ascona, where he restored the family home and decorated it with stucco (1620). The design and stucco decoration of the church of the Madonna della Fortuna on Monte Verit? (Ascona) are attributed to him, though it is probable that Giovanni (who is recorded in Ascona in 1620) collaborated in the work. The first of Giovanni's documented official commissions, however, was for the stucco decoration and apsidal paintings in the chuch of the Concezione at Spoleto, where he worked with Sante Ghezzi (Corradini; Toscano). These murals, painted in tempera and completed in July 1624, are sketchy and clumsily executed, quite distinct in their inferior quality and naive piety from the rest of Serodine's work. They are probably his first attempts at painting,
Godfried Schalcken
Dutch 1643-1706 Godfried Schalcken was born in 1643 at Dordrecht, and he studied under Samuel van Hoogstraten in Dordrecht before he moved to Leiden, into the studio of Gerard Dou (1613-1675), one of Rembrandt's most famous pupils. His earlier genre pictures very closely resemble Dou's work. He worked in Leiden until c. 1675, then returning to Dordrecht until 1691, after which he settled in The Hague, where he continued to paint until his death, near age 63, in 1706. He also visited England (1692-1697), but his uncouth manners and bad temper alienated him from the society there. In 1703 he was employed by Johann Wilhelm, Elector Palatine in D??sseldorf. Mary Stanhope, Viscountess Fane, detail, 1702.Schalcken painted several portraits, of which the half-length of William III of England, now in the Rijksmuseum, Amsterdam, is a good example. Like Dou, Schalcken specialised in small scenes it by candlelight, a technique that found favour with the fijnschilders. Examples are in Buckingham Palace, the Louvre, Vienna and Dresden. His painting, Lady, Come into the Garden (Buckingham Palace), was singled out by his pupil Arnold Houbraken as representative of his oeuvre. Other good examples are Old Woman Scouring a Pan and Soldier Giving Money to a Woman (London, National Gallery), Ceres Seeking Proserpine and Old Man Writing (Louvre), Girl Blowing Out Taper (Munich), Girl Reading Letter (Dresden Gallery), The Boy Angling (Berlin); and Toilet by Candle (The Hague). The Buckingham Palace collection also possesses an interior by Schalcken. His history paintings are less-well known.